Centenary Exhibition: Part 1
Paintings, Drawings, Prints & Sculpture
The Redfern Gallery is delighted to present an exhibition of carefully selected paintings, sculpture and works on paper in celebration of its centenary year.
Within its first year of operating, The Redfern was the first gallery to exhibit the carvings of Henry Moore and Barbara Hepworth. Many young British painters, along with Patrick Heron, Victor Pasmore, Alan Reynolds, Mary Fedden, Paul Feiler and Adrian Heath, were given their big break by The Redfern Gallery.
The Redfern also boasts the distinction of having been the first commercial gallery to offer London shows to international artists, such as Paul Delvaux, Sidney Nolan and Jawlensky.
Today, The Redfern continues to promote the best of modern British art, having supported the critically-acclaimed museum retrospectives of William Gear, Paul Feiler, Margaret Mellis, David Tindle and most recently, Eileen Agar.
This exhibition comprises several major paintings and prints that were first unveiled at The Redfern. For example, the virtuosic 1930s linocuts of Claude Flight and the Grosvenor School; the paintings of Paul Feiler, Adrian Heath and Alan Reynolds, who all enjoyed sell-out shows during the 1950s; and the ethereal watercolours made by Patrick Procktor in the late 1960s.
We are thrilled to be marking our 100-year anniversary with this special historical exhibition which will be open over the summer.
Works
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Eileen Agar RABeetles and Hand, 1966Ink and collage on card21 x 12 cm
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Eileen Agar RATwo Worlds, 1969Acrylic on canvas41 x 30.5 cm
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Eileen Agar RARocks at Brittany, 1985Acrylic on canvas61 x 61 cm
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Denis BowenAbstract, Black and Red, c. 1957Oil on board22.5 x 31 cm
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John Carter RAParallelogram with bar, 1972Mixed media and collage on board51 x 73 cm
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Merlyn EvansUntitled, c. 1953Watercolour, pen and black chalk on paper38 x 41.2 cm
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Mary Fedden RAGarden, 1967Gouache, chalk and collage on paper38.5 x 54 cm
Signed and date lower right; titled verso -
Paul FeilerEvening Harbour, Low Tide, 1953Oil on board50 x 92 cmSigned and dated lower right; titled verso
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Sir Terry Frost RAVariations, 1984Collage, acrylic, crayon and ink on paper29.5 x 20.5 cmSigned and dated lower right
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William Gear RASussex Landscape, 1959Oil on canvas204 x 127 cmSigned and dated; titled verso
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Maeve GilmoreMervyn Peake, c. 1938Oil on canvas91.6 x 71 cm
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Maeve GilmoreSelf-Portrait, c. 1939Oil on canvas91.2 x 71 cm
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Roger HiltonMarch, 1960Oil on canvas63.5 x 76.2 cm
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John Hoyland RALadders of the Sky, 2001Acrylic on canvas61 x 76 cm
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Derek JarmanTray from 'Savage Messiah' , c. 1972Oil on board75 x 51 cm
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Alexander MackenzieRock Form, North Cliffs, Cornwall, c. 1954Oil on canvas laid on board12 x 39 cmSigned, titled and inscribed verso
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Margaret MellisBottles, Round Table and Sea, 1952Oil on canvas76.2 x 50.8 cm
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John MintonNisida Island and the Gulf of Naples, 1956Ink on paper45 x 64 cmSigned and dated lower left
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Victor PasmoreWindow at Dieppe, c. 1932Oil on canvas47.5 x 59.5 cm
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Patrick Procktor RAEgo, 1969Watercolour on paper63 x 101 cmSigned and dated lower right
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Alan ReynoldsSunrise II, 1957Oil on board110.5 x 197 cm
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Michael RothensteinCatherine Wheels, 1954Oil on canvas63 x 76 cmInitialled lower right
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David Tindle RAStill Life, 1957Oil on canvas43.2 x 58 cmSigned and dated lower right
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Leon UnderwoodIceland's All, 1923Oil on canvas67 x 177 cmSigned with initials and dated lower right
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Keith VaughanYellow Seated Figure, 1949Gouache on paper50.5 x 38 cm
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John WellsUntitled, 1967Mixed media on paper25.5 x 35 cmDated lower right, with studio stamp
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Sybil AndrewsSteeplechasing, 1930Linocut17.3 x 27 cmFrom the edition of 50 impressionsSigned and numbered upper left
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Sybil AndrewsMarket Day, 1936Linocut28 x 33.6 cmFrom the edition of 60 impressionsSigned, numbered and titled in pencil lower right
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Francis BaconTriptych 1974-77, 1981Etching and aquatint61 x 110 cm
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Barbara Hepworth DBEThree Forms Assembling, 1968-69Lithograph58.5 x 46 cmFrom the edition of 65 impressionsSigned and numbered